“The truth about logos is that they are not that hard to do. If you ask people in the US what logos they like and recognise, they’ll name Target or Nike. Target for example, is just a dot with a circle around it, that’s all it is, so if you want a logo like Target, you don’t need to hire a designer, you barely need to know how to operate a computer program, the logo may as well be anything. God knows we do a lot of them here, but I think the best work in the area comes down to what most designers would agree on: the obvious thing, it’s not the actual logo but how it is used.”
“There is this peculiar obsession with kerning on Brand New. I’ve realised that it’s because that’s what a lot of the people who comment on the site do during their work day: kern type. They don’t spend a lot of time presenting challenging identities to tough, cynical boards of directors at major corporations. A lot of them would never have done that, but they’ve adjusted the space between letters and it’s something they can react to with absolute authority. It’s fun, it’s anyone’s game, and everyone can have an opinion on a logo. I try to take it all with a grain of salt; I’ve never taken them seriously. I think that you could design a terrible logo for a good company with great people and they could build it into a great program. Alternatively you could design what seems to be a brilliant logo for people who are not smart or energetic or are incapable of associating with anything positive and it would become a terrible logo.”
Read the full interview on Facing Sideways.
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